Linear motion can imply sharp harmonic movement, or more subtle sound/color movement, with or without a predefined chord progression. Chords can happen though, and if you look up and down you might see some recognizable harmonies. You’ll definitely hear them. So let your ear be your guide as you write, stop playing roots and start writing lines.
So much for hating music theory. I did just finish a blog post at Professorscosco where I go on and on about linear harmony. Check it out! It’s got some cool graphics, like this: I don’t know (or care) if it’s the correct term, but what I call linear harmony involves forgetting what you know about chord “progression” and instead thinking about broader and less defined tonal movement. Tension and resolution happen (though not necessarily where you expect it)…and perhaps there is never a cadence, a ii-V, or even a tonic key center. Linear motion can imply sharp harmonic movement,…
Scott Healy and Glenn Alexander's "Northern Light" is one of those rare recordings that thankfully, after being buried for over twenty years, made its way out of the vault and into the light.
Ralph Miriello–Notes on Jazz
Twenty Years in the Vault: Scott Healy – Glenn Alexander Quartet’s Northern Light For an album that has been stowed away in the vault for over twenty years Scott Healy and Glenn Alexander’s Northern Light has a taut, modern sound and sensibility. This enjoyable recording was taped by these two talented musicians back in December of 1991, along with the tight and elastic rhythm section of Kermit Driscoll on bass and Jeff Hirshfield on drums. You would be hard pressed to believe it isn’t a current offering. After this quartet disbanded, Alexander went on to some of his own…
I need to get something off my chest: I hate music theory. Maybe hate is too strong a word. Don’t scientists consider a “theory” to be the highest order of proof? How can you prove music, and why would you try? This is a rambling preamble to an upcoming post on my jazz composition blog, Professorscosco. Music “theory” attempts to prove why things sound good, why chords work, why things that our ear naturally hears provide richness, gratification, tension, resolution, all the things that make music happen. But Bach didn’t know music “theory” (he invented the rules of 4-part choral-style…
From the Hudson City Suite session by the Scott Healy Ensemble, April 30th, 2012, at The Bridge in Glendale, CA.
MODERN JAZZ CREATIVITY-Jeff Babko: Crux, Scott Healy Ensemble: Hudson City Suite February 7, 2013 By George W. Harris Here are a pair of releases that reflect a modern attitude towards jazz. Both are lead by pianists/keyboardists, but you wouldn’t know it by listening, as each guy avoids the spotlight, keeping an attitude of team effort throughout their performance of original material. The music has a link to the past but keeps up with the times as well. Jeff Babkouses piano, Fender Rhodes and programming as he teams up with a core of Tim Lefebvre/b and Gene Coye and a rotating…
It’s just a small indie jazz label–an “imprint” as they like to say–four CD’s have been released with two more are on the way. Visit hudsoncityrecords.com.