Ellington Study Group LA
Voicing and motivic development in Duke Ellington’s “Diminuendo and Crescendo in Blue”, voicing and doubling in Gil Evan/Miles Davis’ “Blues for Pablo”, and a quick listen and look at Gil’s “St. Louis Blues” featuring Cannonball Adderly from “Old Wine, New Bottles”. It’s a jam-packed class with audio and visual aids, and old fashioned analog handouts.
I’m thrilled to have the continuing support of the Academy of Scoring Arts to help me schedule and run the Ellington Study Group Los Angeles. This is our second meeting in what I hope is a long-running bi-monthly series of workshops. See you there!–Scott
Composer Scott Healy leads the The Ellington Study Group LA, a hands-on study of scores and recordings of large ensemble jazz music, and advanced theory and orchestration techniques. The material is advanced, and is geared toward professional classical, jazz and film composers, arrangers and instrumentalists who want to increase their understanding and appreciation of large ensemble jazz writing. Previous classes have included works from Duke Ellington from the 1930’s, Ellington/Strayhorn from the 1950’s, and works by jazz composers, arrangers and band leaders Gil Evans and Miles Davis, Bennie Moten, Fletcher Henderson, Sammy Nestico, Thad Jones and Sun Ra. The discussion ranges from the minutia of voicing and harmony, to broader topics like form, pacing, transparent orchestration, compositional intent and improvisation.
Please visit http://ellingtonstudygroup.com and sign up for the mailing list, or for further information. See you there! – Scott