Repost: Blues for Pablo: True to Form
Yes, it’s another retread…the following is a popular post from my other blog: What do you call this…something like “orchestrational and harmonic gestural writing”, or “tonal consequence”, or even “temporal textural tautological antiphony”?…maybe you just mean “music”. “Blues for Pablo”–True to Form Posted on October 8, 2011 by Scott Healy View the original article at professorscosco.com. Blues for Pablo is to me the best piece of music on the great Miles Davis/Gil Evans 1958 record Miles Ahead (also titled Miles +19.) It’s a rich and detailed work. Gil’s techniques–transparent orchestration, use of instruments such as alto flute, french horns, tuba and…
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