News and Posts
The venue fell through, so this is postponed until at least late July. Join ASMAC for an exciting Master Class with Grammy nominated composer SCOTT HEALY! “Writing Outside the Box Techniques for... Read more
Music and Mirror Records has released Laura Dickinson’s extraordinary performance of my arrangement of Victor Young’s classic jazz ballad, “My Foolish Heart”, and now... Read more
I’m posting this lesson from Keyboard Magazine last Spring–for no other reason than I began a draft of this post (which involves pretty much simply copying and pasting from their website), and... Read more
The Return of the E.S.G. …as opposed to MSG, MDA, MMA or ESL… Announcing the THIRD meeting of the newly-reformed Ellington Study Group LA, now officially underwritten (thank you very... Read more
I had the honor of meeting bassist and producer Adam Small at NAMM last January. As it turns out, he’s also an entrepreneur, having built a website which features instructional videos from... Read more
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On the 25th I’ll open up the topic of meter and time in jazz composition. We’ll talk about how a composer can engage meter, ways to work within a grid of time, or to work expressively against it. We’ll get into techniques like plastic meter, hemiola and cross-rhythms, tuplets and more. I’ve got musical examples cued up from all eras of large ensemble jazz…perhaps time and meter in jazz music is a bit like quantum physics…flexible, dependent upon your point of view…there are a lot of ways we can go with this, let’s see where it takes us!
Then after a short break I’ll bring to the stage the world-renowned composer, orchestrator, educator and conductor Tim Davies. I know Tim as a prolific and inspiring jazz composer and educator, but he also has done tremendous work in the studio and on the stage, including hundreds of credits in TV, film, symphonic music, as well as arranging for pop artists. And BTW, he’s a great drummer. We will have scores and musical examples posted online for viewing in class, as well as full projection and sound system. Check out Tim’s full bio below, and I’ll see you there! Scott
TICKETS AVAILABLE AT EVENTBRITE AND AT THE DOOR
Tim Davies is one of the busiest conductors and orchestrators in Hollywood. His film and TV credits include La La Land, Trolls, Miss Peregrine’s Home for Peculiar Children, Minions, Ant-Man, Empire, CHiPs and Frozen. He is the most prolific orchestrator and conductor in the world of video games having worked on the God of War,Infamous and Batman: Arkham series.
Davies is an active arranger as well. Recent highlights include arranging and playing drums for the twentieth anniversary concert of NAS’ Illmatic and being lead arranger for Kendrick Lamar’s performance of To Pimp a Butterfly, both featuring the National Symphony at the Kennedy Center in Washington DC. He has arranged for albums by chart-topping artists Amy Winehouse, Akon, Miguel, Cee Lo Green and for orchestras all over the world from the Los Angeles Philharmonic to the Metropol Orkest in the Netherlands. He plays drums and writes for his own group, the 18-piece Tim Davies Big Band, and has received two Grammy nominations for Best Instrumental Composition, in 2010 and 2016.
Recently Davies has been in demand as a composer, having worked with two-time Oscar winner Gustavo Santaolalla on the score to the Fox animated film The Book of Life. This was also the beginning of a partnership with producer/director Guillermo del Toro, which led to writing additional music for Crimson Peak and now creating the Annie-nominated score for his new TV show, Trollhunters, produced by Dreamworks Animation for Netflix.
In 2013 he launched his orchestration blog www.debreved.com, which has since become an important resource for composers and orchestrators all over the world. Daviesis on the board of Education Through Music Los Angeles, helping provide music education for underprivileged children.
Tickets $15 in advance, $20 at the door, includes continental breakfast
Vitello’s E-Spot Lounge – 4349 Tujunga Ave Studio City, CA 91604
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Live at Kilbourn Hall
Scott Healy with the Eastman Chamber Jazz Orchestra
Live at Kilbourn Hall
"...terrific large ensemble work led by composer and pianist Scott Healy. A mix of originals and covers (“Anthropology,” “Solitude,” “In Your Own Sweet Way”), with the transitions between the two groups sounding fluid and cohesive. Some nice soloing by members of the Eastman Chamber Jazz Orchestra, but it’s the best moments are those of group interplay when the energy of a song seems close to ripping its form apart just to have it all coalesce back into its original shape. -Dave Sumner, WonderingSound.comA pristine, intense live recording of new music, previously unrecorded works, and two numbers from Scott’s Grammy-nominated 2012 release Hudson City Suite – it's an “instant” record – one take, no fixes – just mix, master, release..maybe repeat... CLICK HERE FOR MORE INFO, DOWNLOAD AND PURCHASE LINKS...