Articles Archives - Scott Healy

Scott Healy Feature by Jon Regen- Keyboard Magazine, Feb. 2015

February 14, 2015 by Scott Healy 1 Comment

SCOTT HEALY IS EQUALLY AT HOME BEHIND A HAMMOND ORGAN OR THE CONDUCTOR’S PODIUM IN A CONCERT HALL. Best known for his quarter-century romp as the high-energy keyboardist in Conan O’Brien’s television band, Healy is also a Grammy- nominated, classically trained composer of serious sonic merit. (And to top it off, he’s a frequent contributor to Keyboard, Where does he find the time?) Healy took a break from his near nonstop rehearsal and performance schedule to talk about a musical journey that has spanned Bach to rock, and everything in between. CLICK TO DOWNLOAD HI RES PDF OF THIS ARTICLE…

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Keyboard Magazine Jazz Lesson 12/13 – “One Note Jazz”

January 1, 2014 by Scott Healy No Comment

Add One Note, Get Jazz By Scott Healy Wed, 25 Dec 2013 rss It’s a rewarding challenge for me to write a jazz lesson for rock players or classical composers who want to extend harmony and/or voice a chord on piano. I have to “break it down” – but what I always see is how the principles of jazz harmony are an accessible and, dare I say, easy to understand. Making it complex doesn’t help anyone except the textbook publishers. Take it step by step, work on it a little, incorporate it into your work, and eventually it will take….

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“Jazz Inside” Magazine – Scott Healy Interview – September, 2013

October 4, 2013 by Scott Healy No Comment

<ed: In the print edition the author mistakenly describes me as “Musical Director on the Conan O’Brien Show on network TV.” We all know that my good friend, the brilliant Jimmy V is the MD, and Conan is decidedly not on network TV. Do your homework Joe!> Scott Healy – Interview by Joe Patitucci JI: What are some of the lessons you’ve learned about business and the music business in your travels as studio musician, touring sideman, and or independent artist? SH: I think the most important lesson I’ve learned about business is to try to establish strong personal relationships…

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Again with the Linear Harmony? Too dry….

September 3, 2013 by Scott Healy No Comment

Linear Harmony #5: Block and Layered Counterpoint This is a new blog post at professorscosco – it’s dry as a bone but you composers will get the point. If you want an enjoyable read and fun content go read the Huffington Post. Click for the original article. I’m revising a piece for my ensemble, perhaps for a recording in the near or far future. I’ve used “Take it Inside” in many posts because it’s a good example of linear harmony. It’s also free and I have the score. During the process of taking this tune apart I’ve seen many missed…

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Repost: Blues for Pablo: True to Form

August 28, 2013 by Scott Healy No Comment

Yes, it’s another retread…the following is a popular post from my other blog: What do you call this…something like “orchestrational and harmonic gestural writing”, or “tonal consequence”, or even “temporal textural tautological antiphony”?…maybe you just mean “music”. “Blues for Pablo”–True to Form Posted on October 8, 2011 by Scott Healy View the original article at professorscosco.com. Blues for Pablo is to me the best piece of music on the great Miles Davis/Gil Evans 1958 record Miles Ahead (also titled Miles +19.) It’s a rich and detailed work. Gil’s techniques–transparent orchestration, use of instruments such as alto flute, french horns, tuba and…

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“Jazz Arranging for Keyboardists”, from Keyboard Magazine April, 2013

March 12, 2013 by Scott Healy No Comment

We do so much work with computers – we might forget how to write for real instruments. Jazz arranging, while it will never become a lost art, might loose some of the subtleties that the masters have taught us. I’ve been writing for Keyboard Magazine for almost ten years, and I’ve seen it go through many changes, many new formats, writers and editors. The current incarnation with Stephen Fortner as editor is, as Moe Green says, “bigger and swankier than any of the rub joints in Vegas”. They recently brought back full, notated, lessons covering everything from basic technique to…

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