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Join us for the final ESG of 2018 – we got five of them in this year! Many thanks to Del and Dave from the Academy of Scoring Arts, and to the staff at Vitello’s, and special thanks to the entire board of directors of the ASA for underwriting this series of master classes. Details below, see you there!

SATURDAY, DECEMBER 8TH, 2018 – 10am – 12:30pm

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Hone your harmonic superpowers while hanging with your cool LA colleagues and ingesting large quantities of caffeine!

On Saturday the 8th we’ll start off by listening to and giving feedback on demo recordings and scores that were sent in to the ASA. Then I want to spend some time talking about chord substitutions and linear jazz harmony, with a particular focus on jazz piano voicing techniques and keyboard harmony.  I’ll have examples from the masters going back to the 1920’s.

 

The first half will have been a fitting preparation for the second half of the class, as I will then introduce one of my favorite musicians, L.A. keyboardist, fellow caffeine lover, and overall cool guy Jeff Babko. Jeff will talk about his multi-faceted career as a live and studio performer, and give us some insights into how he approaches his art in today’s musical environment. This is one not to miss. So lock and load people, let’s get to it!

About Jeff Babko:

Pianist/keyboardist Jeff Babko is a native of Southern California, and has remained on the west coast throughout his career. Babko constantly balances many musical and professional hats, as an in-demand recording musician and touring keyboardist.

After graduating from the University of Miami’s distinguished Frost School Of Music, Babko began working with international superstar Julio Iglesias on a series of worldwide tours. He also appeared in Iglesias’ “Tango” longform video.

After leaving Iglesias, Babko began regularly touring Asia and Europe super-drummer Simon Phillips. Soon after, he joined guitarist Robben Ford’s band, and later extensively toured and recorded with Larry Carlton. With Carlton, Babko performed for the King and royal family of Thailand in Bangkok’s royal palace. Listeners can enjoy Babko’s recorded work with Ford and Carlton on their joint effort, Live In Tokyo, as well as on some of their individual recordings (see “other people’s rekkids” section). Babko also backed Carlton with Japanese B’z guitar superstar Tak Matsumoto on their Grammy award winning recording.

Other tours included Europe with the L.A. supergroup TOTO in 2000 (including the “Live In Sofia” television special), and also with Grammy award winner Shelby Lynne.

Television work began with Martin Short’s syndicated talk show in 1999/2000, and later on the Wayne Brady daytime show. For the past 15+ years, most significantly, Babko has been the musical arranger, a composer, and house band member on ABC TV’s “Jimmy Kimmel Live”. He’s backed up countless rock, pop and jazz artists on the show, and has produced much of the music for its comedy segments (including co-writing “I’m F**king Ben Affleck”).

Always keeping one foot dipped in comedy territory, Babko has been the touring musical director and accompanist for Martin Short since 2002, and also performs with Mr. Short & Steve Martin, also joined by the Grammy award winning bluegrass group Steep Canyon Rangers. Look for their Netlfix special in 2018!

In 2010, Babko recorded (“100 Miles From Memphis”) and toured with Sheryl Crow. The “100 Miles” band, dubbed “The Thieves”, recorded a live set from the Pantages Theatre, which has been a televised mainstay since its release. Another ongoing touring and recording situation has been with James Taylor, and Babko can be heard on Taylor’s “Covers” record, including its single, “It’s Growing”. Babko joined Taylor on the 2017 stadium tour with Bonnie Raitt, performing at Wrigley Field and Fenway Park, among other legendary ballparks.

Other recent recording highlights include Jason Mraz’ “Love Is A Four Letter Word” and Frank Ocean’s “Channel Orange”, Nathan East’s 2 solo albums, as well as Smokey Robinson’s “Smokey & Friends” record of duets, produced by Randy Jackson for Verve Records. You also have heard Babko on recordings from Alanis Morrisette, Maná, Willie Nelson, Tim McGraw, Jennifer Nettles, The Madden Brothers, and others.

Babko has four solo albums out under his own name, including 2012’s critically acclaimed “Crux”for Tonequake Records, featuring Mark Isham, Tim Lefebvre and Matt Chamberlain. His 2007 release “Mondo Trio” w/ Jeff Coffin and Vinnie Colaiuta is considered a classic “drum fusion” record. The collective supergroup “Band Of Other Brothers” with Will Lee, Dave Matthews Band’s Jeff Coffin, Nir Felder and Steely Dan’s Keith Carlock was a critical favorite and the band headlined the Iridium in NYC in 2017.

Babko can be seen on Steve Martin & Martin Short’s Netflix special, released in May 2018. He also runs his own studio, TudorTones, with his wife, studio violinist Songa Lee. Also, Jeff hosted a podcast from TudorTones featuring fellow keyboard players called “The Caffeinated Keyboardist.” (http://caffeinatedkeyboardist.podomatic.com).

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“Writing outside the Box” – ASMAC Master Class with Scott Healy – Sept 23rd 2017 – 11am-2pm

Join ASMAC for an exciting Master Class with Grammy nominated composer SCOTT HEALY! “Writing Outside the Box Techniques for Expanding Jazz Composition” Saturday, September 23rd 2017 – 11am – 2pm The Evergreen Stage – 4403 West Magnolia Blvd Burbank, CA 91505 $25 Members & Students / $40 Non-Members The master class on September 23rd will explore some of the ways a composer can extend the harmonic, rhythmic, orchestrational and emotional language of large ensemble jazz writing. Topics will include linear harmony, plastic meter, “off the grid” writing, controlled and notated improvisation, spatial and box notation, layered counterpoint, and techniques borrowed…

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Scott Healy Feature by Jon Regen- Keyboard Magazine, Feb. 2015

Scott Healy Keyboard Mag Feature

SCOTT HEALY IS EQUALLY AT HOME BEHIND A HAMMOND ORGAN OR THE CONDUCTOR’S PODIUM IN A CONCERT HALL. Best known for his quarter-century romp as the high-energy keyboardist in Conan O’Brien’s television band, Healy is also a Grammy- nominated, classically trained composer of serious sonic merit. (And to top it off, he’s a frequent contributor to Keyboard, Where does he find the time?) Healy took a break from his near nonstop rehearsal and performance schedule to talk about a musical journey that has spanned Bach to rock, and everything in between. CLICK TO DOWNLOAD HI RES PDF OF THIS ARTICLE…

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Hammond B3 Pros and No Cons – An Short Interview

What’s So Great About a Hammond B3? Really, if you have to ask about the Hammond B3 you’ve got a lot of catching up to do–like about 50 years of history. But it’s not an easy instrument to play, made even more difficult if you move, rent, maintain or borrow one. Fortunately these days there are many alternatives. I endorse Hammond digital organs, basically their new line of digital B3’s. In this interview, Hammond artist rep Emiko asks me why I like the B3 (and by extension my new SK-2), and what my favorite toothpaste is. It’s pretty hard not…

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“Live at Kilbourn Hall” Release

Live at Kilbourn Hall featuring Scott Healy with the Eastman Chamber Jazz Orchestra is scheduled for a mid-September release. Recorded on March 20th, 2014, at Eastman School of Music, and featuring a handpicked student chamber jazz ensemble, Live at Kilbourn Hall contains some brand new and previously unrecorded compositions and arrangements, performed live, in one take, onstage in a world-class recital hall. More info will follow, please join the mailing list for more info and updates on the pre-release and release…or visit Hudson City Records.

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“Hudson City Suite” – 2014 Grammy Nomination for Best Instrumental Composition

Scott Healy’s Hudson City Suite unites past and present musically as well as conceptually, bridging traditional big-band swing with lithe jazz modernism. -Downbeat Magazine   Healy reveals himself to be a composer of serious sonic merit. -Jon Regen, Keyboard Magazine Profoundly beautiful…like Hindemith meets Kenton and Ives at Mingus’ house for lunch…a soundtrack for the movies in his mind. -Bill Milkowski Healy has conjured up a captivating, amazingly varied and colorful range of sounds and moods with just a tentet here, showing that less can be more in jazz ensembles. -George Kanzler, NYC Jazz Record There’s nothing more you can…

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