Welcome to Scott Healy's website - please check back for updates and new music. close ×
+

Grammy Nomination for Best Instrumental Composition for “Koko on the Boulevard”

“Koko on the Boulevard” from “Hudson City Suite” receives a Grammy nomination for Best Instrumental Composition I’m thrilled, honored and quite humbled to be nominated for a Grammy Award for Best Instrumental Composition for my piece “Koko on the Boulevard”, track #8 from Hudson City Suite . I was also happy to learn that many of my friends and colleagues from LA and around the country received nominations in composition, large ensemble, arranging, producing, and engineering. It’s truly inspiring to see how many indie artists are receiving nominations in a business that traditionally has been dominated by record labels (not…

Read more

Share : facebooktwittergoogle plus
pinterest

Gabriel Judet-Weinshel’s short film on Scott Healy’s “Hudson City Suite”

NYC filmmaker Gabriel Judet-Weinshel directed and edited this dramatic and compelling video, which is compiled from interviews, live session and location footage. This video documents the recording of Hudson City Suite, and delves into composer Scott Healy’s  process. Gabriel reveals Scott’s reverence to both the classical and modern jazz traditions, and how he was inspired by the iconic Ellington Suites to create a work that speaks “about” something. Shot at The Bridge Recording in Glendale, and on location in Jersey City, NJ, and NYC. For more of Gabriel Judet-Weinshel’s work, visit waxwingfilms.com.

Share : facebooktwittergoogle plus
pinterest

A Los Angeles Keyboardist’s Not Lost Weekend in “Last Vegas”

A Nice Rig on a Dream Gig Last June, a weekend recording session of Mark Mothersbaugh’s music for the recently released film “Last Vegas” yielded over 30 cues–just about the entire score to the movie.  I was a memorable project not just because it’s cue after cue of me soloing over slamming grooves with a live band (really fun), but because it was live R n B band on an indie movie. The director, a musician himself, wanted a funky score with an old school vibe, and that’s what Mark gave him, with our help. I saw the movie last…

Read more

Share : facebooktwittergoogle plus
pinterest

An Open Letter to NARAS Members

  I’m just about finished with my ballot, and I feel like I’m in sixth grade having just slogged through a standardized test. While I really would appreciate your consideration for my Jazz Ensemble and Composition entry, tonight I have a new agenda. Where social networking has emerged as the primary method with which to get the word out on one’s record,  this process has become overwhelming and difficult. There now are an enormous number of entries in many categories, and managing one’s social network is a full-time job. Yet, as you probably know, some categories were merged with others,…

Read more

Share : facebooktwittergoogle plus
pinterest

“Jazz Inside” Magazine – Scott Healy Interview – September, 2013

Scott Healy-Jazz Inside Interview

<ed: In the print edition the author mistakenly describes me as “Musical Director on the Conan O’Brien Show on network TV.” We all know that my good friend, the brilliant Jimmy V is the MD, and Conan is decidedly not on network TV. Do your homework Joe!> Scott Healy – Interview by Joe Patitucci JI: What are some of the lessons you’ve learned about business and the music business in your travels as studio musician, touring sideman, and or independent artist? SH: I think the most important lesson I’ve learned about business is to try to establish strong personal relationships…

Read more

Share : facebooktwittergoogle plus
pinterest


1 4 5 6 7 8 11