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“Hudson City Suite” – 2014 Grammy Nomination for Best Instrumental Composition

July 1, 2014 by Scott Healy No Comment

Scott Healy’s Hudson City Suite unites past and present musically as well as conceptually, bridging traditional big-band swing with lithe jazz modernism. -Downbeat Magazine Healy reveals himself to be a composer of serious sonic merit. -Jon Regen, Keyboard Magazine Profoundly beautiful…like Hindemith meets Kenton and Ives at Mingus’ house for lunch…a soundtrack for the movies in his mind. -Bill Milkowski Healy has conjured up a captivating, amazingly varied and colorful range of sounds and moods with just a tentet here, showing that less can be more in jazz ensembles. -George Kanzler, NYC Jazz Record There’s nothing more you can…

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BMI MusicWorld: 10 Questions with Scott Healy

April 25, 2014 by Scott Healy No Comment

Posted in MusicWorld on April 25, 2014 by Ted Drozdowski Click for original article at bmi.com Photo: Lisa Tanner Scott Healy has enjoyed a great career just outside of the limelight. The versatile, expressive keyboardist has been most visible for the past 20 years as a member of the house band on Conan O’Brien’s TV shows. The BMI composer has also racked up an impressive resume as a studio and live sideman and an arranger with rock, pop, jazz, blues and R&B stars including Bruce Springsteen, Ricky Martin, Bonnie Raitt and Al Green. But this year the spotlight is shining directly on the…

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“Jazz Arranging Power” – Keyboard Magazine, March 2014

March 22, 2014 by Scott Healy 2 Comments

“Jazz Arranging Power” from the March, 2014 issue of Keyboard Magazine. Click here for original article Jazz Arranging Power By Scott Healy In my last lesson back in the January 2014 issue, I demonstrated how adding just one note can change a chord’s color and character. This month, I’ll offer up ways to give your arrangements added punch, power, and clarity. I used many of these techniques on my new album Hudson City Suite. 1. Call and Response Ex. 1 illustrates the time-honored technique known as “call and response,” which creates excitement by way of a musical “dialogue.” Here’s a…

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Boogie Down – Keyboard Magazine Lesson from 11/10

March 13, 2014 by Scott Healy No Comment

This is a reprint of a lesson I did for Keyboard Magazine in the November, 2010 issue. Here I’m swinging the boogie, more of a Chicago blues style; the “original” boogie feel had a much straighter feel. But the same principles apply. I’d say that on the job we swing more than not, so here it is: Boogie Down by Scott Healy Click for the original article online. Before rock ’n’ roll, there was boogie-woogie. Without boogie, we wouldn’t have Little Richard, Johnnie Johnson, or Jerry Lee Lewis — or half of New Orleans piano music and most of the…

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Music Connection Review: Scott Healy Ensemble at Vitello’s Jan 21st, 2014

March 4, 2014 by Scott Healy No Comment

Scott Healy Ensemble – January 21st, 2014 Vitello’s Jazz Club Studio City, CA This review by Tim Reid is from the March issue of Music Connection magazine. The Players: Scott Healy, piano; Bill Wysaske, drums; Edwin Livingston, bass; Andrew Lippman, trombone; George Thatcher, bass trombone; Brian Swartz, trumpet; Bill Churchville, trumpet; Tim McKay, bari/tenor/soprano saxes, bass clarinet; Alex Budman, tenor/soprano saxes, flutes, clarinet; Jeff Driscoll, alto/soprano saxes, flute. Summary: Scott Healy is a professional with a real resume and a real “career,” for lack of a better term. That aside, he is a creative and original voice in a…

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Interview for Film Music Media

February 5, 2014 by Scott Healy No Comment

Posted 1/4/1 at filmmusicmedia.com. Composer Interview: Scott Healy Scott Healy is a Grammy nominated composer, producer and performer who was recently nominated at the Grammy’s for his piece “Koko On The Boulevard”. Scott can also be seen weeknights on TBS as part of Conan O’Brien’s Basic Cable Band on Conan. Scott is a terrific talent and he shares how he got started in music, which eventually led to music composition. His album Hudson City Suite is an instrumental jazz album, and we talk a lot about writing an album like that versus writing film music. Scott talks about his approach, structure and execution…

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